- Lecture notes for March 2
- Bradstreet
- general
- Puritan perspective--no windows, no priests, freedom, back to early church, reformation
- Hard primitivism, simplicity of language
- Female perspective--imagery, care for family and husband, conjugal love as central drama
- New England and old England
- Author to her book
- Birth, child-rising, life cycle--children leave home
- Modesty and rebelliousness
- Anxiety and simplicity
- In reference to her children
- Chickens metaphor--relate to the flea
- Compare to 'Metaphysical" wit
- Which style do you like better
- Family matters--mothers anxiety about offspringdesire to teach
- Prospect of heaven; full satisfaction vs. departure and grief and loss
- Prologue
- Male epic and war and pretentiousness vs. disparaged female
- Bitter, ironic tone about male dominance and females suppression especially female authors
- Sarcastic, self-disparaging ending
- Dear and Loving Husband
- Love secular and divine; puritan celebration of marriage as union of romantic and spiritual love; a foretaste of love in eternity
- Compare Milton's puritan view of marriage vs. Courtly, petrarchan or purely spiritual -- Donne/Herbert--love
- Burning of our house
- Making sense of accidents
- House as central metaphor--human house and house of the lord
- Structure: from narrative/moral to discontent and complaint to renunciation and celebration
- Nostalgia of loss in second section; enthusiasm of final expectation
- A Dialogue between New and Old England--Puritanism, "fundamentalism," and politics
- Mother daughter framework; highly familial and personalized history and politics
- Biblical and visionary framework leading to another apocalyptic conclusion
- Prophetic attack on the pagan, pharisaical, idolatrous Papists and their allies the Anglicans and royalists
- Praise of the Parliamentarians
- Old England suffers from sorrows of war; New England eggs her on to more militant behavior.
Edward Taylor: 1642-1729
Bio
- Leaves England in 1668 to escape Restoration demands for religious conformity
- Goes to Harvard and after graduation takes up ministry in small rural parish; marries twice; verse not published
- Considered metaphysical poet--similarities to Donne and Herbert, contrasts to Bradstreet
Meditation 1
- Tight lines and stanzas
- Ardent spiritual-erotic focus on God as love
- Theological paradox of God not satisfied and making humanity his bride
- Plays throughout on water and flame, heaven and hell
- Asking to be inflamed/aroused by god
Let Him Kiss Me with the Kisse of his Mouth
- Focus on Canticles=song of Solomon, vrse 2
- Spiritual erotic desire
- Paradox--Riddle--asking god to solve it--how one of the elect--Calvinist predestined for salvation--can lack satisfaction in this world
- Answer to "Sir"--you couldnt take full love of god in this life; Christ wont show let you see Love's "Lovely Arms...cirlce thyself about" on earth
- Love does "play bow-peep" with me here--hide and seek--to give a foretaste of full pleasure
Our Insufficiency to Praise god Suitably
- Extended thought experiment to play out the idea of infinity to express how much praise god deserves: worlds/men/tongues/songs/tunes
- The topos of inadequacy as form of elevation
Samuel Sewall
Friend of Taylor at Harvard, Judge and Magistrate, sat at Salem witch trials and later repented
- The Selling of Joseph
- Liberty as central human value for puritans
- Biblical arguments and objections along with practical ones
- Joseph story as central
- Manifestation of religion and politics
His diary--puritan spiritual and practical journaling