Cal Poly SLO - Department of Music

Course Information - Music 324 (History of Film Music) – Spring 2014

 

Professor: Dr. Alyson McLamore                                                                                    Office Phone: 756-2612

Office:  132 Davidson Music Center                                                                                                                     

Email: amclamor@calpoly.edu                                                            Web Site: http://cla.calpoly.edu/~amclamor

 

Office Hours: Tues 11-12; Wed 1-3; Thurs 12-1; other times by appointment—just ask!

 

Course Description: Music 324: History of Film is a G.E. C.4 (WRITING INTENSIVE) survey course for all upper-division students that examines the history and masterworks of music for films, beginning with the birth of the genre and continuing to the present day. (For the C.4 Learning Objectives, please see http://ge.calpoly.edu/content/learning-objectives-and-criteria#arts%20and%20humanities.) Special focus will be given to developing an analytic vocabulary for musical elements, music's function within films, and for technologies of linking music to films. The course consists of lecture/discussions, guided & independent listening/film-viewing, written assignments, and periodic examinations. It is NOT necessary to read music in this class—but it is essential to come to class and to do the reading assignments to earn a good grade.

 

Materials: 

 

      The Textbook is Roger Hickman's Reel Music: Exploring 100 Years of Film Music, W. W. Norton, 2006.  Please bring your book with you every day, and please do your reading before each class.

 

      The Course Reader, which will be found in PolyLearn AND at the course website:       http://cla.calpoly.edu/~amclamor/324Film/index.html  (the password will be distributed in class). 

      Please PRINT OUT and BRING the reader with you to class EVERY day.  It contains guidelines for the assignments, a glossary, helpful tips, and many other wonderful and exciting things.

 

You will be given loaner cds from the Music Department of our Composite Recordings, to be returned at the end of the quarter. Set up regular listening times in your weekly schedule, and listen often!  The individual tracks of the Recordings are listed in the Course Reader.

 

Prerequisites: completion of Area A and a foundation course in Area C.

 

Course Requirements (Please note: the percentages are calculated using the letter grades earned, not points;  “the points don’t matter.”  An “A” is calculated as 4.0, an A- is 3.7, a B+ is 3.3, and so forth): 

 

I. Two Midterms (20% each), on Apr. 24 and May 15.  You will need an 882 Scantron for each.

 

II. Two Analysis Assignments.  Guidelines and forms are in the course reader. 

      Viewer Guide Function Analysis is due May 1 (10%)

      Featured Film Function & Musical Analysis is due May 22 (20%)

 

III. A Final, on June 10 (30% of the grade).  Again, bring an 882 Scantron form (and return the CDs)

 

IV. Set Your Alarm.  A large portion of the material for which you are responsible will come out of the class lectures.  It is impossible for you to 'hear' music and 'see' videos we covered when you review someone else's notes, so regular attendance is essential! 

            Moreover, you need to be completely present “mentally,” so NO CELL PHONE USE during class; laptops, tablets, etc., should have their wireless access disabled. If you do not wish to comply with this expectation, PLEASE DO NOT TAKE THIS CLASS. 

            NOTE: If you are going to be away from campus for two or more class meetings (attending conferences, etc.), this course is not recommended for you.


V. All course requirements must be completed in order to receive a passing grade; all assignments should be completed independently. This includes developing the cue-sheets for each paper, bibliographic citations, etc. In short: DON’T SHARE YOUR WORK!!  (Please see the Office of Student Rights and Responsibilities website for Cal Poly’s guidelines concerning Academic Dishonesty: http://www.osrr.calpoly.edu/)

 

Music 324 - History of Film Music - Course Outline – Spring 2014

                                                                                                                                               Reading Assignments

Week 1    Apr 1       Tues.      The Tools of Music                                                   Ch. 3; Reader pp. 7, 16-19, 24

                 Apr 3       Thurs.     The Tools of Music                                                                                      Ch. 1, 2

 

Week 2    Apr 8       Tues.      Functions of Film Scoring                                                         Ch. 4; Reader p. 14 

                 Apr 10     Thurs.     Functions of Film Scoring                                                                  Reader pp. 22

 

Week 3    Apr 15     Tues.      Functions of Film Scoring

                 Apr 17     Thurs.     Functions of Film Scoring; Sample Quiz (ungraded)          Reader pp. 15-19, 21

 

Week 4    Apr 22     Tues.      Functions of Film Scoring

                 Apr 24     Thurs.     Exam I

 

Week 5    Apr 29     Tues.      Film / Film Music Operations                                                              Reader p. 25

                 May 1      Thurs.     Film / Film Music Operations; "Silent" Films; Viewer Guide                   Ch. 5-8

                                                      Function Analysis Due

 

Week 6    May 6      Tues.      "Silent" Films; Birth of Talkies                          Ch. 9; Reader pp. 15-16, 20, 26-28  

                 May 8      Thurs.     Talkies; Rise of the Symphonic Film Score                                              Ch. 10, 11

 

Week 7    May 13    Tues.      Symphonic Film Scores and the International Film World                                     

                 May 15    Thurs.     Exam II

 

Week 8    May 20    Tues.      "1939"                                                                                     Ch. 12; Reader p. 29  

                 May 22    Thurs.     The Golden Age; Featured Film Analysis due                    Ch. 13; Reader p. 21

 

Week 9    May 27    Tues.      [No Class Meeting – Monday Schedule on Tuesday]

                 May 29    Thurs.     Styles and Genres: Film Noir                                                       Ch. 15, 17, 18, 21

 

Week 10  June 3      Tues.      Styles and Genres: Thriller/Suspense/Horror                             Ch. 22, 25, 29, 30

                 June 5      Thurs.     Styles and Genres: Western                                         Ch. 31, 32, 34; Reader p. 30  

 

Finals       June 10    Tues.      Final – 10:10 AM - 1:00 PM  (Please bring back your Loaner CDs)